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on the subversion of opacity

Presented as part of the Workspace 2016 series, featuring the work of LES Studio Program artist-in-residence Arianna Carossa and alumna Beatrice Glow. “With myths, one should not be in a hurry. It is better to let them settle into the memory, to stop and dwell on every detail, to reflect on them without losing touch with their language of …

Arianna Carossa

Across my entire practice, from site-specific projects to land art, I strive to create work that emerges from the environment in which I’m called to realize a project. This particularity is the strongest feature of my practice; it drives me to search for situations or moments where the design of an object itself can relate …

Beatrice Glow

Believing that all cultures, landmasses, and islands are connected underwater, my work navigates the diasporic and economic circulations between Asia and the Americas. I am interested in geopolitical peripheries lying in the long shadows of colonialism that, through the centuries, have often become islands floating in the fragmented diasporic memory. I shatter the silence enveloping …